1. |
Piñata
06:13
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2. |
Polyglot
05:24
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3. |
Omara
04:31
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4. |
Maniok
07:32
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5. |
Habitat
07:36
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6. |
Petroleum
05:41
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7. |
Diaspora
10:07
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Tobias Reber Biel/Bienne, Switzerland
Composer, musician, performance artist, educator. Electronic, electroacoustic and algorithmic composition, and improvisation. Member of centrozoon.
If you like Tobias Reber, you may also like:
Live in Pomona 2016
by Markus Reuter
supported by 9 fans who also own “Kola”
Peaceful sound, and a loving sound....magical in this torn world.
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Taster (10th Anniversary Edition)
by Markus Reuter
supported by 9 fans who also own “Kola”
Oh, I remember it well, that living room concert in the flat of a buddy in Cologne. I probably didn't know what I was really going to experience that evening. But I was blown away. The intensity of the performance struck me. No one spoke, no one clapped, everyone was in trance. Later, I was introduced to Markus and I told him: "So when are you going to replace Robert Fripp in King Crimson. Really, you're going to be a star." He smiled politely. "You too. You already got the looks (!) and the aura of a star." I laughed. I was a small inexperienced and unimportant critic. But at least one of us was (almost) right that evening. This was the first and important step in Markus' solo career. The music still gives me shivers. In a good way. It sucks me right in, right into me. I always felt strongly connected to the music, 20 years later, this is still one of my favorite soundscapes albums.
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0-0-0-0
by Markus Reuter featuring Sha
supported by 9 fans who also own “Kola”
Markus Reuter uses electronics to shape Sha's bass clarinet musings into a swirling mass of avant-garde ambience.
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Riveting modular synth music built from repeating and non-repeating patterns, “In Succession” is a beautiful, kaleidoscopic work.
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The self-described “SpongeBobs of Belgian jazz” balance lush beds of synth with knotty instrumentation.
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featured on Bandcamp Radio Dec 26, 2017
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Prime Feedback (Unused Sketches)
by Markus Reuter
supported by 9 fans who also own “Kola”
Although subtitled ‘Unused Sketches’ (suggesting that it’s comprised of fragments), I’m enjoying ‘Prime Feedback’ more than any Markus Reuter recording in recent memory.
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